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Last updated Fri Aug 15 00:05:14 2008.
All content © 2002-2008 Christopher Ariza, unless specfied otherwise. All Rights Reserved.
This site provides a comprehensive research resource for computer aided algorithmic music composition, including over one-thousand research listings, over one hundred system listings, cross referenced links to research, links to software downloads and documentation, and web-based tools for searching and filtering the complete lexicon.
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Stiny, G. and J. Gips. 1972. "Shape Grammars and the Generative Specification of Painting and Sculpture." In Information Processing 71. C. V. Freiman, ed. Amsterdam: North Holland. 1460-1465. Internet: http://www.shapegrammar.org/ ifip/
Amitani, S. and K. Hori. 2002. "Supporting musical composition by externalizing the composer's mental space." In Proceedings of the fourth conference on Creativity & cognition. New York: ACM Press. 165-172. Internet: http://doi.acm.org/ 10.1145/ 581710.581735
Mclean, A. 2004. "Hacking Perl in Nightclubs." O'Reilly Perl.com. Internet: http://www.perl.com/ pub/ a/ 2004/ 08/ 31/ livecode.html
Burraston, D. 2005. "Composition at the Edge of Chaos." In Proceedings of the 2005 Australasian Computer Music Conference. Internet: http://www.noyzelab.com/ research/ dburraston-ACMA2005-final.pdf
Anonymous. 1965. "Age of the Patchwork." Time September 24. Internet: http://www.time.com/ time/ printout/ 0,8816,834382,00.html
Ravel (Binkley, J.): description
CALMUS (Olafsson, K.): description
DirectMusic Producer (Microsoft Corporation.): description
Music Mouse (Spiegel, L.): description
Symbolic Composer (Stone, P. and J. Podrazik.): description
Leffanta, R. 2007. "atomic traveller: algorithmic freeware." Internet: http://www.atomictraveller.com/
Ensemble 176. 2008. "Ensemble 176." Internet: http://nyme.org/ 176.html
Brothers, H. 2007. "Structural Scaling in Bach’s Cello Suite No. 3." Fractals 15(1): 89-95.
Brothers Technology. 2007. "Fractal Music." Internet: http://www.brotherstechnology.com/ math/ fractal-music.html
Ariza, C. 2008. "Python at the Control Rate: athenaCL Generators as Csound Signals." Csound Journal 9. Internet: http://www.csounds.com/ journal/ issue9/ pcragcs.html
"... the individual and the society are deprived of the formidable power of free imagination that musical composition offers them. We are able to tear down this iron curtain, thanks to the technology of computers..."
Xenakis, I. 1985. "Music Composition Treks." In Composers and the Computer. C. Roads, ed. Los Altos: William Kaufmann, Inc. {amazon
Total Systems 118
Total References 1772
