Content Submission
Main Menu
Resource Filter
Resource Search
System Filter
System Search
Version: 2.1
Last updated Mon Jun 7 14:35:48 2010.
All content © 2002-2008 Christopher Ariza, unless specfied otherwise. All Rights Reserved.
This site provides a comprehensive research resource for computer aided algorithmic music composition, including over one-thousand research listings, over one hundred system listings, cross referenced links to research, links to software downloads and documentation, and web-based tools for searching and filtering the complete lexicon.
Browse systems
Browse resources
Search algorithmic.net
Learn more about algorithmic.net
La Kitchen. 2006. IanniX: Tutorial. La Kitchen. Internet: http://www.la-kitchen.fr/ download/ IanniX/ IanniX-Tutorial.pdf
Magnus, C. 2004. "Evolving electroacoustic music: the application of genetic algorithms to time-domain waveforms." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 173-176. Internet: http://cmagnus.com/ cmagnus/ download.php?file= icmc2004
Orio, N. and F. Déchelle. 2001. "Score Following Using Spectral Analysis and Hidden Markov Models." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 125-129. Internet: http://freesoftware.ircam.fr/ misc/ papers/ str-icmc-01-suivi.pdf
Spiegel, L. 1998. "Thoughts on Microsoft's Algorithmic Composition Patent." Internet: http://retiary.org/ ls/ writings/ alg_comp_patents.html
Simoni, M. 2003. Algorithmic Composition: A Gentle Introduction to Music Composition Using Common LISP and Common Music. Ann Arbor: Scholarly Publishing Office, the University of Michigan University Library. Internet: http://www.hti.umich.edu/ cgi/ t/ text/ text-idx?type= simple; c= spobooks; cc= spobooks; sid= 4f2c1e1b03b19d2500f65702d1314f0c; rgn= full%20text; q1= simoni; view= toc; subview= short; sort= occur; start= 1; size= 25; idno= bbv9810.0001.001
Project 1 (Koenig, G. M.): description
POD (Truax, B.): description
Pyper (Szybalski, A.): description
COMPOSE (Ames, C.): description
Agentbeats (Bertelsen, M.): description
Seaver, N. P. 2010. A Brief History of Re-performance. M.S. Thesis, Comparative Media Studies, Massachusetts Institute of Technology. Internet: http://cms.mit.edu/ research/ theses/ NickSeaver2010.pdf
Ariza, C. and M. S. Cuthbert. 2010. "Modeling Beats, Accents, Beams, and Time Signatures Hierarchically with music21 Meter Objects." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. 216-223. Internet: http://mit.edu/ music21/ papers/ 2010MeterObjects.pdf
Standage, T. 2003. "Monster in a Box." Wired. Internet: http://www.wired.com/ wired/ archive/ 10.03/ turk_pr.html
J. Reichardt, ed. 1971. Cybernetics, Art and Ideas. Greenwich: New York Graphic Society Ltd.
Minksy, M. 1981. "Music, Mind, and Meaning." Computer Music Journal 5(3): 28-44.
"With the development of electronic and computer music, multidemnsionality of sound representation turned out to be both natural and useful. But music goes beyond multidimensionality -- it is even more complex."
Xenakis, I. 1996. "Determinacy and Indeterminacy." Organised Sound 1(3): 143-155.
Total Systems 120
Total References 2004
