Last updated Tue Aug 12 11:31:08 2008.
All content © 2006-2008 Christopher Ariza, unless specfied otherwise. All Rights Reserved.
Last updated Tue Aug 12 11:31:08 2008.
All content © 2006-2008 Christopher Ariza, unless specfied otherwise. All Rights Reserved.


Post-Ut is developed with free, open-source software tools. See the links below information about these software systems, as well as other potentially relevant resources.

athenaCL
python
Csound
The FreeSound Project
LAME
XSPF
MySQL
bitmap fonts based on designs by Yuji Oshimoto

algorithmic.net
envl.net
Big Ears
Electronic Music Interactive
Earplane
Equal loudness contours and audiometry
Good Ear
HyperPhysics: Sound and Hearing
musictheory.net
teoria

Ariza, C. 2005. An Open Design for Computer-Aided Algorithmic Music Composition: athenaCL. Ph.D. Dissertation, New York University. Internet: http://www.flexatone.net/ caac.html abstract {amazon}
Friedmann, M. L. 1990. Ear Training for Twentieth-Century Music. New Haven: Yale University Press. {amazon}
Guido of Arezzo. 1978. "Micrologus." In Hucbald, Guido, and John on Music: Three Medieval Treatises. C. V. Palisca, ed. Translated by W. Babb. New Haven: Yale University Press. 57-83. {amazon}
Katz, B. 2007. Mastering Audio: The Art and the Science. 2nd ed. Burlington: Focal Press. {amazon}
Lieberman, M. 1959. Ear Training and Sight Singing. New York: W. W. Norton. {amazon}
Loy, G. 2007. Musimathics: The Mathematical Foundations of Music, Volume 1. Cambridge: MIT Press. {amazon}
Roads, C. 1996. The Computer Music Tutorial. Cambridge: MIT Press. {amazon}
Rossing, T. D. and F. R. Moore, P. A. Wheeler. 2001. The Science of Sound. Boston: Addison Wesley. {amazon}
Wedge, G. A. 1949. Ear-training and sight-singing applied to elementary musical theory: A practical and coordinated course for schools and private study. New York: Schirmer Books.
