flexatone.net
works of Christopher Ariza
Music Composed
Starting in the mid 1990s I composed experimental music in a variety of mediums, including acoustic, electronic, and computer music.
Featured Music Composed
A goal of this work was immersive textures of color and noise. To this day I enjoy the immersive space this work creates.
phanopoeiac (2006)
for digital audio
One of my favorite acoustic compositions, this work explores a variety of rhythmic environments.
the square perfected has no corner (2001)
for percussion quartet
All Music Composed
agoralalia (2002)
for quadraphonic digital audio
comma (1999)
for large ensemble
denouement (1997)
for string quartet
density21.5 (1999)
till dim gone (1998)
for chamber orchestra and baritone-countertenor
fog dream neon'd (2003)
for taiko ensemble and real-time signal processing
holy the bop apocalypse (2000)
for quintet
io paean (1998)
for small ensemble and baritone countertenor
lathe (2003)
for digital audio
nylon lunula (2001)
for guitar solo
metalloidesque electronico-clankered (2005)
for two percussionists and real-time signal processing
phanopoeiac (2006)
for digital audio
demiurgic ecstasy whispering in streets of ear (2007)
for 8-channel digital audio
equinoctial worms (2008)
for stereo digital audio
moloch whose name is the mind (2003)
for taiko and digital audio
onomatopoeticized (2004)
for digital audio
the square perfected has no corner (2001)
for percussion quartet
swarmmeme (2003)
for quadraphonic digital audio
to leave the best untold (2009)
for voice and 8-channel real-time signal processing
ubu imperator (2002)
for trio and quadraphonic digital-audio
variation (1996)
for piano solo
wabisabi (2000)
for digital audio
Voltage-Control Patch 16 (2014)
Voltage-Control Patch 9 (2013)
Work III (2011)
for six or more live electronics performers with laptops and dual-analog gamepads
Work II (2011)
for six or more live electronics performers with laptops and dual-analog gamepads
puslefact #2 (2010)
for live electronics
guido's windchime (2000)
algorithmic composition for MIDI instruments